Wednesday, 16 December 2020

KILLING KURTZ: THEMATIC AND NARRATIVE IDEAS ON THE ENDING OF APOCALYPSE NOW

The ending of Apocalypse now did confuse some critics at the time, who expected less ambiguous ending. The director, Francis Ford Coppola, was aware that the ending may not be dramatic enough and an alternative ending was shot and has been shown in some cinema screens at the time of the film's release. In this alternative ending, General Kurtz's compound is napalmed and destroyed in a blaze of flames. This dramatic ending is hinted at from the very start of the movie which has explosions and the song The End by The Doors which gives a clue about the film's finale. Although the bombing of General Kurtz's base is not seen in the final cut of the film shown theatrically as Coppola decided it was too harsh and brutal an ending, we still assume this is how the narrative ends. Captain Willard has already issues instructions that the base be destroyed if he does not return and the sight of flame from Kurtz's temple at the end of the film, even without the bombing shown, does hint that Kurtz's power is to be finished along with his death with the destruction of all he had built up, and destruction of the evidence of his brutal crimes and punishment of his enemies. 

The ending is sombre and the death of Kurtz is languid and atmospheric. Captain Willard does not show any high emotion on his face. He almost looks regretful, but also very determined to carry out his duty. It was his mission to kill Kurtz and this has been achieved. Kurtz's death is linked to the death of the animal, and is almost sacrificial. His death could represent the fact that this war has no winner. There is power and battles won, but the war itself achieved nothing. Kurtz is seen by the army as being insane, but the words he speaks about the devotion to his mission and determination to gain power is only him following instructions to the extreme. His insanity is viewed as insanity by those who have also been driven insane by the horrors of this war. This insanity is shown by the mixing of brutality with an obsession on surfing and relaxation earlier in the movie. 

Kurtz was seen as a godlike figure and with his death the ending of the film shows Willard walking through Kurtz's followers who drop weapons and almost seem to see Willard as their new god. The film indicates that the horrors of this war have driven those involved to seek escape or justification in a godlike, all powerful figure, perhaps indicating the abandonment in some way by the US army. With Willard's face superimposed over the compound and the statue and Kurtz's followers, we could think that Willard is just the next Kurtz, and not any better. Kurtz died easily, and the ending of the film has no great battle: he dies like the slaughtered animal, very easily and almost pathetic in the resistance he offers up. Kurtz wants to die. He wants to be free of the horrors he has been forced by circumstance to commit. He held power but a reference is made in the film to how he took on his mission as a sense of duty, when he could have stayed in an office and risen in the ranks. Kurtz is seen by some critics to be a voice of sanity about the pointlessness of their mission, a reluctant outcast. If Willard is insane himself, how can he view Kurtz as inane. Kurtz's crimes are the outcome of being given instructions to carry out missions in a war that had no ending; his carrying on the war is a crime and his actions barbaric, but Willard's carrying out of instructions to kill one of their own in an emotionless way and fight for the same cause, hints at also sinking towards insanity. Kurtz saying "The horror, The horror.." is perhaps about the war itself, and the crimes he and Willard have committed (or Willard may still commit) and in this understanding, he may be less of a villain and more a realist of their fate: both his and Willard's and all those involved in this war without end or mercy - a war only of horrors. 

General Kurtz's quiet and melancholy, almost accepting death, and Willard's slow and stone-faced and resigned execution, and new sense of power shown in Kurtz's followers perhaps now following Willard as their way out of hopelessness is strong and poignant and shows us the hopelessness of this war in Apocalypse Now. 

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